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Bundle!
It’s all kicking off on the Ravelry boards … words flying, comments censored, needles aimed … the cause? A post submitted by someone working with Vodafone in Ireland on a ‘Cheer Up Ireland’ campaign which involves a bit of urban knitting (although there’s no mention of the project on their website.)
The idea is not a new one but started out with the best of intentions by Eilish Tuite, a third year sculpture student in Limerick school of Art and Design. She is working on a project called Urban Knit, the aim of which is to cover a disused building in Limerick City. The cover will eventually be chopped up into smaller blankets and donated to St.Vincent’s Charity (hopefully washed and repaired after much exposure to the elements?), although as DeadlyKnitshade points out in her post, the charity don’t seem to be asking for knitted blankets, more “help financially and/or by giving of your time”.
Eilish has been calling for contributions of wool since the beginning of February, and I’m not sure whether Vodafone approached her after the project had been initiated or if it was the other way round.
Then a post popped up on Ravelry yesterday encouraging people to submit knitted squares. The contributor who started off the thread (under the username of Slkav) had joined Ravelry the same day - no profile, no knitting projects, no other contributions save this post. Their email address suggests they work for a company called Simply Zesty - an online pr and social media agency who frankly should know better.
After a few initial encouraging messages, the mood has changed as knitters have started to voice their resentment at the attempt to lure them into a corporate campaign.
Knit The City's 'Oranges & Lemons'
Graffiti tag knitting, gritting (graffiti knitting) or knagging (knit tagging) … whatever you want to call it, it’s big news at the moment. Actually I made that last one up, but you get the drift.
Never one to miss the chance to point out the blatantly obvious, so … the ethos behind graffiti knitting is similar to that of conventional graffiti art - find an otherwise ordinary urban environment, attach a handmade knitted item to a blank object or space et voila, your own personal bit of subversive, urban-art-made-statement (you can see some fine examples at the Yarn Bombing Flickr Group).
The start of graffiti knitting is largely credited to Houston-based group Knitta who started out in 2005 “with a mix of clandestine moves and gangsta rap”. They are now a global phenomenon. Their public self-outing encouraged many other unconventional knitters out of the closet, irritated by the conventional view of knitters, full of pent-up creativity, passionate about their craft and determined to bring it to light. Well, that and the fact there is huge potential for fun and humour in collaborative, public outbursts and inventing tag names - wouldn’t you get a kick out of calling yourself PolyCotN or The Notorious N.I.T.?
Since then we’ve seen an explosion of new-wave knitters, expressing themselves in public with acts of knitted granarchy and recording it through their blogs. Some get political, many do it for the sheer joy of seeing members of the public doing a double-take and grinning as they pass. ‘Grrl + Dog’ in Sydney recently decorated a 100-year-old public toilet in her ‘Knitted Convenience’ project in July. Here in blighty the ‘Knit The City’ collective strung a delicate web trapping tragic and lovelorn creatures (and the odd sweary butterfly) on London’s South Bank, then swiftly followed it up with beautifully crafted episodes from the nursery rhyme ‘Oranges & Lemons’ in the City of London.
Yarn Forward Vintage Knitting article
There’s a nice short article in this month’s Yarn Forward magazine about Vintage Knitting by Susan Crawford (popular this month). She highlights the joy and pain of knitting from vintage patterns, but makes a great point which isn’t always obvious … not only are we drawn to the fantastic, flattering designs and images, but also to “the women who knitted from them, who despite everything created beautiful clothes for themselves and their families using very limited resources and even less cash.” Well said.
I think some of us tend to have a secret heroine (or two) in our heads against whom we constantly compare ourselves - sometimes we live up to the fantasy, sometimes we fall short. Despite our best attempts we’re human and just can’t emulate them in every single way … but if you’ve got a plucky, elegant 1940s heroine perched on a pedestal in your psyche, knitting brings you that bit closer to her. She embodies the ’stiff upper lip’ bravery which we associate with that era and yet still manages to look great during the most difficult of times. Knitters of the 1940s, we salute you!
The last Craft magazine
So goodbye then, Craft magazine, I shall miss you plopping onto my doormat every quarter. True you’ll continue through articles in the associate magazine Made, but Made always seems to focus on the mechanical, time-consuming and ‘need a bit of know-how’ projects. Your great website Craftzine will continue, but it’s not the same as having a good old flick and dog-earing the pages of an interesting article while you’re in the bath (something about laptops and water …)
I’m not quite sure why we can’t do a good old modern craft magazine in this country - they’re either of the Woman’s Own knitting variety or bordering on the high-brow like the Craft Council’s Crafts magazine (which, incidentally, is very good but does articles about the high-end crafts exhibition community rather than making you feel a part of an exciting at-home movement which is doing it for themselves). I’ve always felt there’s still a snobbery about craft in this country which hasn’t caught up with the current wave - it’s perceived either as strange warty women smelling of cat wee and crocheting tasteless tat, or cutting edge new-wave Hoxton dwellers incorporating a bit of ironic craft into their highly priced art pieces.
Anyway, I digress as ever. My point was originally going to be something about web vs. print - I remember when I first started out as a web designer and my graphic design friends were so snotty about it as the virtual web couldn’t convey the sensory experience, the texture, colour and depth (or even smell) of an actual piece. I felt dashed about it at the time and thought they were being snobs, but I find myself agreeing now … although all things webwise have levelled out and it certainly holds an important place in our lives, you can’t do without a good old piece of print. Your world can’t exist in a 1024 x 768 pixel format, nothing beats the joy of discovering an old craft book in a second-hand shop and smelling that damp paper smell and gloating over the vintage fonts and adverts, or discovering a well crafted, well thought-out publication.
So it’s sad, you’ll be missed here at least, but at least you went out on a bang - Amy Sedaris’ piece was hysterical. Oh well, still got Selvedge to look forward to.
Vintage craft books
I’m adding to my vintage craft book collection and it’s such a joy to go through the pages I thought I’d share some of them here.
I feel such a geek listing them … erm, some justification was meant to finish this sentence but I can’t find one, I am a geek.
They exude an enthusiasm which I feel around again at the moment in the craft revival and I think they’re apt for right now. Many of them are from the war or just post-war period so they were a necessity - how to use your scraps, how to make do and mend, and the Government issued leaflets along similar lines. Just think, not only was craft seen as a great and useful hobby, it was of national importance!
They include:
- ‘Pins & Needles: Treasure of Family Needlework’ (2nd ed 1953)
- ‘Modern Knitting Illustrated’ (1st ed, approx 1945)
- ‘Wooden Toymaking Step by Step’ (2nd ed, 1963)
- ‘Practical Knitting Illustrated’ (1st ed, approx 1940)
- ‘Encyclopedia of Needlework’ by Therese de Dillmont (1st ed, 1897)
- ‘Gifts You Can Make Yourself’ (1st ed, c.1940s)
I think we’re at a time when recycling and cutting back are high on our agenda at the moment so I can only think the craft renaissance will continue. Materials can be so expensive now - if you look at the knitting books on the shop shelves you’d be forgiven for thinking that there are only about 3 wool manufacturers worth buying wool from, and that a size 12 jumper will cost a minimum of £45 to knit up. It’s about time we saw some cheaper alternatives coming to the fore, but I think that will only happen when knitters develop the confidence to experiment a bit more, to read their wool bands, do their tension squares and think ‘hmm, this will knit up the same as that Rowan wool for half the price’. I’ve been a sucker for that myself in the past but no more, I’m going to do some more research and find out some good quality alternatives.
It’s time there was a bit of a backlash against the expensive brands - in these times of fiscal need, craft should be a more satisfying and fulfilling way of saving a bit of wedge here and there.
Okay I was wrong … craftivism is alive and well in the UK too, in the form of the GlittyKnittyKitty girls! Their credo is “We, the Knitted Terrorists, are committed to knittivism through the systematic and systemic use of knitted accessories, short rows and felt.”
They’ve also made me feel better (well, a bit anyway) about my crap handmade gifts … “by making, giving and receiving hand made things, you can say No to mass production. You can embrace individualism, and you can create something imbued with love.” Cheers comrades, I’ll send you some handmade soap!
The International Fiber Collective has issued a call to arms to knitters, crocheters and sew-ers (erm … not the drainage type) to “come together from all over the world to express their concerns about their countries extreme dependency on oil for energy”.
They’re asking for contributions of 3 foot square fibre panels to cover abandoned gas stations (next deadline due March 15th 2008), expressing how we feel about our dependency and the growing crisis.
There are some nice examples of submitted entries on the site, including one panel knitted together using 120 plastic bags as yarn which is a pretty neat tie-in.
I was thinking of submitting a panel using a combination of sewed and knitted elements, just better make sure I hand-sew instead of using the machine - kind of defeats the object!
Get knitting …
I knew there was a connection between web & craft! The New York Times recently published an article called ‘Handmade 2.0′ about the new-wave DIY culture, taking the snobbery and commerciality out of design and putting it back into the hands of individual crafters. They start by quoting the statement of intent from buyhandmade.org website, saying that it echoes “the idealistic language of a tree-hugger activist group” but then goes onto say that its most prominent member is the virtual craft fair Etsy - a very much for-profit organisation.
The full article’s a bit lengthy so you can read a precis of it on Mike Press’ blog. Mike sums it up: “The article argues that the new handmade movement is an explicitly ideological movement that has profound implications for consumerism, and seeks to develop sustainable economies based on craft production.”
The Denver Post published a shorter, less analytical article last year called ‘Crafting Political Messages‘. Hey, there must be something in the air!
I saw a programme about John Ruskin the other night and bells started ringing here … I haven’t read too much of his theory, but he was writing at the time of the industrial revolution, when the creativity was being taken out of the hands of the craftsman and given to the corporations commissioning the art/architecture. His solution (along with other Victorian neo-gothic supporters such as William Morris, George Edmund Street, Pugin etc) was go to take elements of medieval architecture and give the power back to the individual craftsman.
The world has recently undergone another revolution, technical and commercial, and individuals are once again fighting the corporates to get control of the environment they live in, clothes they wear, gifts they give, furniture they sit on etc. This is a pretty stealthy revolution, but it feels like it’s gaining momentum. It doesn’t have the dire threat and warnings of the green movement but it comes from the heart.
For a couple of good examples of politicised craftspeople, try Lisa Anne Auerbach’s site StealThisSweater.com, Craftivism and Microrevolt.
Long live the craft revolution!
Oh blimey, got carried away and lost in interweb tangents when I should have been doing other things … there’s so much great new wave craft stuff happening out there, I have problems sleeping at night thinking of all the things I could be making and doing, and trying to work out how I’m going to fit them all in.
Most of the stuff seems to be happening in America but I could be wrong here - maybe they’re just getting better press, or write about it more, or maybe us Brits just take one look at the plethora of cool and inspiring sites and think “why bother?” Whatever, they’re great, they’re needed and they’re fun.
Feel completely inspired by the Knitta group based in Houston - they call themselves a graffiti knitting crew and tag things like street lamps, public statues, handrails, gates etc with impractical hand-knit cozies. I love it - cooler than Banksy and less pious. They use street name aliases like PolyCotN, LoopDogg and The Knotorious N.I.T. (my personal fave). Wondering whether to start up an East Sussex chapter - will anyone else be interested? Should it matter? Might give it a go … get inspired here
So I’ll start this blog with my current obsession … upholstering my chair.
Prompted by the good Mr W, I had a good look at what I wanted to do with myself earlier this year, post-baby ‘n’all, and I came up with the over-ambitious idea that I wanted to do a textiles degree, maybe go into restoration for museums and stately homes (ahem). Coming back down to earth and realising I needed to keep bringing in the bacon (plus keep some FOCUS in my life), I figured a more realistic aim would be an evening class of some sort.
Upholstery just fulfills a need for me … it somehow fits in quite neatly with my web coding head need for step by step mind numbing detail. Although it can be creative, it’s not wildly artistic and there are a set number of steps you need to go through to achieve an end result. I love working with the frame of the chair, all the effort (by someone else!) that went into carving it, bringing it back to life. The creative part sneaks into the construction - how do you want to shape it? What fabric to use? Do you use buttons? How are you going to finish the wood?
Dark wood furniture is out of fashion at the moment so you can pick things up relatively cheaply - criminal really, considering the amount of thought and work that went into these things in the first place. I picked up a couple of Edwardian chairs at the local auction house for £70 (including commission) and sold the smaller one for £25 to another upholstery newbie. It had some badly tacked-on pink velour covers (see above - nice huh?) over the original, green, incredibly faded chintzy fabric (see left). But it had a faded grandeur and a dignity about it that I loved.
I got all artsy and analytical about it at first, the fact that it was made pre-WW1 at a time when the Empire was fading but there was still a bit of time and money left to put some effort into things, before ideals got blown to bits along with a generation. I loved the carved back, the idea that this was, at the end of the day, a fairly common chair made out of cheap wood (as I found out pulling the tacks out and another splintered shard fell off), but a good deal of craftsmanship had gone into it.
Now I just love it as a good old chair that I’m bringing back to life … I’ll keep posting my progress, it’ll be fun to look back on when it’s finished!
