There’s a nice short article in this month’s Yarn Forward magazine about Vintage Knitting by Susan Crawford (popular this month). She highlights the joy and pain of knitting from vintage patterns, but makes a great point which isn’t always obvious … not only are we drawn to the fantastic, flattering designs and images, but also to “the women who knitted from them, who despite everything created beautiful clothes for themselves and their families using very limited resources and even less cash.” Well said.
I think some of us tend to have a secret heroine (or two) in our heads against whom we constantly compare ourselves - sometimes we live up to the fantasy, sometimes we fall short. Despite our best attempts we’re human and just can’t emulate them in every single way … but if you’ve got a plucky, elegant 1940s heroine perched on a pedestal in your psyche, knitting brings you that bit closer to her. She embodies the ’stiff upper lip’ bravery which we associate with that era and yet still manages to look great during the most difficult of times. Knitters of the 1940s, we salute you!
The excellent ‘I Knit London’ are holding a weekender from 11th - 12th September with scheduled events including workshops, classes and presentations.
I spotted a couple of workshops to lure the vintage knitter: the first one features Susan Crawford (knitwear designer, knitting teacher and lecturer in fashion and textiles). Susan is co-author (and publisher) of the newly republished A Stitch in Time, apparently her presentation on Vintage Knitwear is not to be missed! You can catch Susan on Friday 11th September between 4pm - 6pm.
The second one is held by Joyce Meader, an historical hand-knitting expert. She has a wide and extensive collection of commercially printed patterns from the 1840s to the present day which are used to hand knit items for museums, re-enactors and for private commissions. Joyce will be hosting a free presentation and discussion of Knitted Comforts for Your Soldiers from Crimea to Today and showing some of her vast collection on Saturday 12th September between 12pm - 2pm.
You can find more information on these events at the I Knit London website.
I’ve added a rather splendid downloadable free pattern to Skiff’s Free Vintage Knitting Pattern section, this one from a 1956 edition of Stitchcraft. Elegant stripes around the welts make this ‘Afternoon Style Jumper’ stand out (clearly not deemed suitable for the morning), finished off with a natty striped tie effect. I’ve added this to my ‘to knit’ list - let me know if you complete it and we can compare notes!
Came across this rather brilliant and slightly surreal picture whilst browsing the Embroiders Guild website the other day - a trug full of smocked vegetables on display at the Whitchurch Silk Mill in Hampshire until 4th October 2009. It’s part of a larger exhibition - ‘Smocks & Smocking - From the Field to Fashion’ and is made by 4 dedicated (and patient) members of the ‘Smocking Branch’.
The mill itself looks pretty fascinating … a rare relic of the 19th century silk trade which is still managing to produce, albeit in limited quantities.
I’ve never tried or even considered smocking so wouldn’t even know where to start with this. Shan’t be experimenting with it myself any time soon but wouldn’t mind catching the exhibition and a quick glimpse into the textile industry’s past.
A nice article on how to create your own oilcloth instead of buying in the PVC stuff, using refined lindseed oil. Apart from the benefits of using your own fabric or even creating your own design, using lindseed oil makes the fabric bio-degradable unlike it’s ready-made alternative. The results look pretty good, I feel an experiment coming on …
I’ve converted my online vintage knitting tips page into a .pdf for those long evenings when you’ve got nothing else to read. What do you mean you’ve got a busy social life? Well if nothing else, it’s a handy guide to keep by your side when you’re starting out on a new vintage knitting project, or swearing pointlessly at a Bestway twin set pattern and shouting “but what do you mean by Patons Fingering 3-ply?”. It’s probably not definitive but certainly helps to set you on the path. Happy reading.
Hmm, came across these I stored in a drawer a few months ago. Must have got a bit excited with my free-form sewing foot and ’sketched’ out a couple of sea creatures on some crisp, white Irish linen from my stash. Must do some more of this - I love the fact that the foot allows you to doodle and scribble with your sewing machine, so liberating.
I used some of that dissolvable tracing stuff and a Sharpie to sketch out the design first (has to be insoluble ink or it’ll end up over the fabric when you wash it away) … handy hint if you’re trying it at home: stretch the fabric over a largeish embroidery hoop before you start (with the hoop upside down if you see what I mean) otherwise the foot will pucker up the fabric. You might need to remove the foot first to get the hoop underneath.
The more detail you put into the picture, the more effective it is - a bit of shading here and there is a nice touch.Nice as they are, I’m not quite sure what I’m going to do with them … any suggestions (be nice)? Toying with the idea of a quilt again at the moment so might do a few more and use them as patches.

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